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Best run in terms of anything Stanley Kubrick: Lolita, 2001: A Space Odyssey, Spartacus, and Dr. Strangelove. Robert Wise: The Sound of Music, West Side Story, The Sand Pebbles, The Haunting, Two for the Seesaw, and Star!. Jean Luc Godard: Breathless, Contempt, My Life to Live, Two or Three Things I Know About Her, Pierrot le Fou, Bande à part, A Woman Is a Woman, Le petit soldat, The Carabineers, A Married Woman, Alphaville, Made in U.S.A, Masculin Féminin, La Chinoise, Weekend, One Plus One, Joy of Learning, A Film Like Any Other, and British Sounds. David Lean: Lawrence of Arabia and Doctor Zhivago Francois Truffaut: Stolen Kisses, Antoine and Colette, Shoot the Piano Player, Jules and Jim, The Soft Skin, Fahrenheit 451, The Bride Wore Black, and Mississippi Mermaid. Alfred Hitchcock: Psycho, The Birds, Topaz, Marnie, and Torn Curtain. Billy Wilder: The Apartment, Irma la Douce, The Fortune Cookie, One, Two, Three, and Kiss Me, Stupid. Federico Fellini: 8 1/2, La Dolce Vita, Juliet of the Spirits, Satyricon, Spirits of the Dead, and Boccaccio '70. Ingmar Bergman: Persona, Shame, Hour of the Wolf, The Passion of Anna, The Rite, All These Women, The Silence, Through a Glass Darkly, Winter Light, The Devil's Eye, and The Virgin Spring. Mike Nichols: The Graduate Teach me!, and Who's Afraid of Virginia Woolf?. Sidney Lumet: The Fugitive Kind, The Appointment, The Hill, The Deadly Affair, Fail Safe, Bye Bye Braverman, The Group, A View from the Bridge, The Pawnbroker, and Long Day's Journey into Night. Luchino Visconti: Rocco and His Brothers, The Damned, The Leopard, Sandra, and The Stranger. George Roy Hill: Butch Cassidy and the Sundance Kid, Thoroughly Modern Millie, Hawaii, The World of Henry Orient, Period of Adjustment, and Toys in the Attic . Roman Polanski: Knife in the Water, Repulsion, Rosemary's Baby, The World's Most Beautiful Swindlers, and Cul-de-sac. John Huston: The Unforgiven, The Misfits, The Night of the Iguana, The List of Adrian Messenger, The Bible: In the Beginning..., Freud, Reflections in a Golden Eye, A Walk with Love and Death, Casino Royale, and Sinful Davey. Sergio Leone: The Dollars Trilogy, Once Upon a Time in the West, and The Colossus of Rhodes. Michelangelo Antonioni: Blowup, L'Avventura, L'Eclisse, La Notte, and Red Desert. John Ford: How the West Was Won, The Man Who Shot Liberty Valance, Sergeant Rutledge, 7 Women, Cheyenne Autumn, Two Rode Together, and Donovan's Reef. Akira Kurosawa: Yojimbo, Red Beard, Sanjuro, The Bad Sleep Well, and High and Low. John Frankenheimer: Birdman of Alcatraz, The Manchurian Candidate, The Train, Seven Days in May, Seconds, Grand Prix, All Fall Down, The Fixer, The Young Savages, The Gypsy Moths, and The Extraordinary Seaman. 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Jean-Pierre Melville: Léon Morin, Priest, Army of Shadows, Le Samouraï, Magnet of Doom, Le Doulos, and Le deuxième Luis Buñuel: The Milky Way, Belle de Jour, Simon of the Desert, Diary of a Chambermaid, The Young One, The Exterminating Angel, and Viridiana. John Cassavetes : Faces, A Child Is Waiting, and Too Late Blues. Roberto Rossellini: The Taking of Power by Louis XIV, Uno sguardo dal ponte, Escape by Night, Garibaldi, Les Carabiniers, Vanina Vanini, Les Carabiniers, Anima nera, and Benito Mussolini. Pier Paolo Pasolini: Mamma Roma, The Gospel According to St. Matthew, Accattone, The Hawks and the Sparrows, Pigsty, Theorem, Oedipus Rex, and Medea. Howard Hawks: Man's Favorite Sport?, Red Line 7000, El Dodrado, and Hatari!. John Schlesinger: Darling, Midnight Cowboy, Far from the Madding Crowd, A Kind of Loving, and Billy Liar. 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Bryan Forbes: Séance on a Wet Afternoon,Whistle Down the Wind, King Rat,The L-Shaped Room, Deadfall, The Wrong Box, The Whisperers, and The Madwoman of Chaillot. Richard Brooks: Elmer Gantry, In Cold Blood, The Happy Ending, Sweet Bird of Youth, Lord Jim, and The Professionals. Claude Chabrol: Les Biches, The Unfaithful Wife, The Champagne Murders, Les Bonnes Femmes, Wise Guys, The Third Lover, Landru, Ophélia, Le Tigre aime la chair fraiche, Marie-Chantal contre le docteur Kha, Our Agent Tiger, The Road to Corinth, and This Man Must Die. Mario Monicelli: The Passionate Thief, Casanova 70, Caprice Italian Style, The Girl with the Pistol, Organizer, L'armata Brancaleone, High Infidelity, and Sex Quartet. Norman Jewison: In the Heat of the Night, The Thomas Crown Affair, The Cincinnati Kid, The Russians Are Coming, the Russians Are Coming, Gaily, Gaily, 40 Pounds of Trouble, The Thrill of It All, Send Me No Flowers, and The Art of Love. Gillo Pontecorvo: The Battle of Algiers, Burn!, and Paras. Ken Russell: Song of Summer, French Dressing, Women in Love, and Billion Dollar Brain Ken Loach: Kes and Poor Cow. Costa-Gavras:Z, Shock Troops, and The Sleeping Car Murders Jacques Demy: The Umbrellas of Cherbourg, The Young Girls of Rochefort, Lola, Bay of Angels, and Model Shop. Carol Reed: Oliver!, The Running Man, and The Agony and the Ecstasy. Fred Zinnemann: A Man for All Seasons, The Sundowners, and Behold a Pale Horse. Arthur Penn: The Chase, Alice's Restaurant, Bonnie and Clyde, The Miracle Worker, and Mickey One. Agnes Varda: Cléo de 5 à 7, Le Bonheur, Lions from love, Les Créatures, and Loin du Vietnam. Masaki Kobayashi: Harakiri, Samurai Rebellion, The Inheritance, A Soldier's Prayer, Hymn to a Tired Man, and Kwaidan. Otto Preminger: Advise & Consent, Exodus, The Cardinal, Bunny Lake Is Missing, In Harm's Way, Skidoo, and Hurry Sundown. Stanley Donen: Charade, Two for the Road, The Grass Is Greener, Surprise Package, and Once More, with Feeling!. Nicholas Ray: The Savage Innocents, 55 Days at Peking, and King of Kings. Luis García Berlanga: Long Live the Bride and Groom, Three Fables of Love, The Executioner, Plácido, and La boutique. Walerian Borowczyk: Mr. and Mrs. Kabal's Theatre, Renaissance, and Goto, Island of Love. Karel Reisz: Isadora, Saturday Night and Sunday Morning, Night Must Fall, and Morgan – A Suitable Case for Treatment. Joseph Losey: Eva, The Criminal, The Damned, King and Country, The Servant, Boom!, Accident, Secret Ceremony, and Modesty Blaise. Mark Robson: Daddy's Gone A-Hunting, Von Ryan's Express, The Prize, Valley of the Dolls, The Inspector, Nine Hours to Rama, Lost Command, and From the Terrace. Richard Fleischer: Che!, Fantastic Voyage, The Big Gamble, Barabbas, The Boston Strangler, Doctor Dolittle, and Crack in the Mirror, Vincente Minnelli: Four Horsemen of the Apocalypse, The Courtship of Eddie's Father, Two Weeks in Another Town, The Sandpiper, Home from the Hill, Bells Are Ringing, and Goodbye Charlie. Louis Malle: Zazie dans le Métro, Spirits of the Dead, Viva Maria!, A Very Curious Girl, The Fire Within, The Thief of Paris, and A Very Private Affair. Alain Resnais: Last Year at Marienbad, Muriel, The War Is Over, and Je t'aime, je t'aime. Eric Rohmer: Le Signe du Lion, My Night at Maud's, La Collectionneuse, The Bakery Girl of Monceau, and Suzanne's Career. Milos Forman: Loves of a Blonde, The Firemen's Ball, and Black Peter. George Sidney: Pepe, Bye Bye Birdie, Half a Sixpence, Viva Las Vegas, A Ticklish Affair, and The Swinger.
Gravity's Rainbow Group Read | Sections 22-25 | Week 7
Slothrop's Hawaiian Shirt by Zak Smith (2006). I just want to begin by thanking u/Bloomsdayclock for coordinating this endeavor, for all of the previous posts thus far, and for the enthusiastic interaction and scholarship that’s been happening in the comments for each post. This group read has rekindled my love for this book and is helping me understand it in so many different ways and in such greater depth that it's honestly like I’m reading a different book at this point. Also, kudos to each previous poster for creating a coherent post! The book is complex enough on its own but once you start going down the rabbit hole, sussing out the references, reading through some of the scholarship, etc., I almost found myself paralyzed by information overload (kinda feeling a bit like Charlie Kelly trying to figure out who “Pepe Silvia” is :) ). When this reading group started, I was like, “damn, I’m trying to read this insanely complex novel and the group posts are just as long, dense, and complex” and now I’ve gone and written some super long and dense post, too. To paraphrase either Blaise Pascal or Mark Twain (or Woodrow Wilson or apparently a rather large number of dead white guys from history): I would have written a shorter post if I’d had the time! Apologies in advance! Anyways, this post will (attempt to) cover the start of the second section of the novel, Un Perm’ au Casino Hermann Goering. The events that transpire are zany and sinister, titillating and deeply sad. There is a mix of images both gorgeous and disgusting and much of the planning and plotting that took place at “The White Visitation” during the first section are starting to come to fruition in part deux. For each “Episode”, I will provide a general summary of the “action” and then some commentary and we’ll finish this post up with a few discussion questions. Let’s begin! Episode 22 Summary Slothrop is on furlough/leave at a casino in Monaco (from what I’ve read...I thought it was France before, still not completely sure) that’s been renamed in honor of the big fat slob that led Hitler’s air force during the war. He’s in paradise but wakes up “...[waiting] for a sudden noise to begin his day, a first rocket” (p. 181). His friend Tantivy Mucker-Maffick and a somewhat suspicious friend of his, Teddy Bloat (“[there’s] something about the way he talks to Slothrop, patronizing? Maybe nervous…” (p. 182)), are staying down the hall. They’re talking about meeting some girls but, as the first song of the section reminds us, Englishmen can be very shy. Slothrop is happy to help his “buddies” out, but tells them not to “expect [him] to put it in for [them]” (p. 183). Classic Slothrop! Slothrop decides to wear a hideous (or amazing, depending on your sensibilities) genuine Hawaiian shirt that he received from his brother Hogan in the Pacific. The shirt seems to emit a glow (once he steps into the sun, it “blazes into a refulgent life of its own” (!) (p. 184), so Tantivy, “friend” that he is, tries to convince Slothrop to cover it up with scratchy Savile Row coat. The trio hit the beach and the ladies are on them already. They’ve got food and booze and are ready for a nice day on the beach. The morning seems too good even for a bit of the “early paranoia”. And then Bloat ruins everything by drawing Slothrop’s attention to the woman down the beach being attacked by “the biggest fucking octopus Slothrop has ever seen outside of the movies”. Slothrop rushes off to intervene and, left without recourse, starts trying to bash the cephalopod on the head with a wine bottle to no avail. Thankfully, Bloat just happens to have a big, tasty crab on his person, which he tosses to Slothrop with the advice, “It’s hungry, it’ll go for the crab. Don’t kill it, Slothrop.” Slothrop uses the crab to bait away the animal from its current prey, noticing that it does not seem to be in good mental health. He eventually tosses the crab, like a discus, into the sea, and the octopus follows. The damsel has been saved, Slothrop is championed as a brave hero and his first thought is where in the fuck did that crab come from. The exchange: “Tantivy smiles and flips a small salute. “Good show!” cheers Teddy Bloat. “I wouldn’t have wanted to try that myself!” “Why not? You had that crab. Saaay-where’d you get that crab?” “Found it,” replies Bloat with a straight face. Slothrop stares at this bird but can’t get eye contact. What th’ fuck is going on?” (p. 187). The damsel thanks Slothrop. Her ID bracelet identifies her as Katje Borgesius. Slothrop feels like he knows her and “...voices begin to take on a touch of metal, each word a hard-edged clap, and the light, though as bright as before, is less able to illuminate….it’s a Puritan reflex of seeking other orders behind the visible, also known as paranoia, filtering in…” (p. 188). How does Slothrop deal with this? By dividing up his present company into a dichotomy: the increasingly drunk Tantivy, “a messenger from Slothrop’s innocent, pre-octopus past” flirting with the girls and Bloat, “perfectly sober, mustache unruffled, regulation uniform [on the fucking beach!], watching [him] closely” (p. 188). And then there’s Katje, who, with her glance, makes Slothrop think she knows something (what?), asking him “Did you know all the time about the octopus? I thought so because it was so like a dance-all of you” (p. 188). Well, fuck me! Katje then tells “Little Tyrone” to be “very careful” and that “Perhaps, after all, we were meant to meet…” (p. 189). Now that’s a “meet cute” for ya! Commentary/Questions
Is the casino fully owned and controlled by Them at this point (is César Flebótomo (Spanish for “sandfly”) a(n) (un)willing patsy in Their employ?). Is it the “lab” for this “phase” of the Slothrop experiment. Or is it just secured enough to ensure the results of the experiment aren’t tainted by some unforeseen variable/interference?
Teddy Bloat seems like a purposeful pun in reference to the bureaucracy of government/intel agencies
Songs are one way that Pynchon fills his book with “the language of the preterite”, a term from Weisenburger used to describe the “slang, underworld cant, songs, games, folk-genres, and material culture” used by Pynchon to pit “open, unsanctioned, and “low” languages” against the “closed, orthodox, privileged language of a culture”. This idea is expanded on by literary critic/philosopher Mikhail Bakhtin who notes that the “heteroglossic” aspect of novels allows them to be radical, open-ended artworks filled with a variety of voices that each embody a particular time and place (his term for this idea is a “chronotope”).
The whole episode is just soaked in paranoia, from beginning to end. Whatever Slothrop thought he thought he was feeling in Section 1 has been taken up a notch. He senses a plot but keeps playing along.
Is “Borgesius” a tribute to J.L. Borges?
“Little Tyrone” echoes “Baby Tyrone” from Jamf’s experiments and maybe is supposed to make us realize that while the antics in this episode could possibly be construed as a “loss” of Slothrop’s “innocence” that was actually taken from him as a baby.
Episode 23 Summary Dr. Porkyevitch (“Porky the pig”?) and “Grisha” (“[frisking] happily in his special enclosure”) stare back at the “blazing bijou” of the Casino from their ship, contemplating their future now that they may no longer be of use to Pointsman, yearning for traces of the Russia they’ve been exiled from. To the casino: Katje is a vision in shades of green and is escorted by a two-star general and a brigadier. Is it Pudding? RHIP :) Slothrop and Tantivy in the dining room. Slothrop raises the “The Ballad of Tantivy Mucker-Maffic” to get the room singing of his friend’s drunken exploits so that he can speak to Katje who uses the cacophony to invite him to her room after midnight! Slothrop then probes his buddy to see if he notices anything funny going on. Tantivy brushes him off a bit (“there’s always, you know, an element of Slothropian paranoia to contend with…”(p. 192)) but then concedes that the bastard Bloat is receiving coded messages. Ha! And it turns out Bloat has become a bit of a different man over the last few years, something more than being “Blitz rattled”. He’s also warned Tantivy away from Katje (“I’d stay clear of that one if I were you” (p. 193)) and Tantivy feels used by Bloat (“being tolerated for as long as he can use me” (p. 193)). The encounter ends with Tantivy telling Slothrop to be careful and, should he need help, he’ll be there for him. At midnight, Slothrop leaves for his rendezvous with Ms. Borgesius, “ascending flights of red-carpeted stairway (Welcome Mister Slothrop Welcome To Our Structure We Hope You Will Enjoy Your Visit Here)” (p. 194). Arriving, he teases her about her date at dinner and then about their slightly sinister “meet cute” while examining her closet which is absolutely filled to the brim with a variety of outfits. The “Too Soon To Know (Fox-Trot)” before they get down to it. As he is undressing her, he notices “...the moonlight only whitens her back, and there is a still a dark side, her ventral side, her face, than he can no longer see, a terrible beastlike change coming over muzzle and lower jaw, black pupils growing to cover the entire eye space till whites are gone and there’s only the red animal reflection when the light comes to strike no telling when the light-” (p. 196). Yikes! As they fuck, she wonders if his “careful technique” is for her or “wired into the Slothropian Run-together they briefed her on”. Either way, “she will move him, she will not be mounted by a plastic shell” (p. 196-197). Then, a slapstick fight with a seltzer bottle (planted by Them?) that has Slothrop looking for a banana cream pie to toss (classic!) after which they fall asleep, lying like two Ss. In the morning, their post-coital bliss is interrupted as Little Tyrone is rudely awakened by the sound of someone robbing his pants in the room next door. He chases after the thief, first naked, then dressed in a purple satin bedsheet. As he’s chasing, from way down the hallway, “a tiny head appears around a corner, a tiny hand comes out and gives Slothrop the tiny finger” (p. 199). Haha! He chases the thief up a tree only to have the tree cut down while he’s in it. The thief escapes and Bloat and some general find Slothrop a mess. Bloat takes Slothrop to his room where, “every stitch of clothing he owns is gone, including his Hawaiian shirt. What the fuck. Groaning, he rummages in the desk. Empty. Closets empty. Leave papers, ID, everything, taken… Hogan’s shirt bothers him most of all” (p. 201). Nobody knows where Tantivy’s gone off to. Bloat gives Slothrop a uniform (“a piece of Whitehall on the Riviera” (p. 201)) which doesn’t fit but the book advises, “Live wi’ the way it feels mate, you’ll be in it for a while” (p. 201). Slothrop ponders the meaning of the architecture and design of his surrounds, but “shortly, unpleasantly so, it will come to him that everything in this room [The Himmer-Spielsaal, no less] is being used from something different. Meaning things to Them it has never meant to us. Never. Two orders of being, looking identical….but, but….” (p. 202). THE WORLD OVER THERE. Against this realization Slothrop issues the only spell he knows, a defiant “Fuck You”. Walking, rainstorm, entertainment at the casino, no one has seen the dancing girls from the drunken breakfast, Slothrop is “finding only strangers where he looks” before freaking out in the casino, then getting wet in the rain, then returning to Katje, the only place he knew to come. Commentary
I love “The Ballad of Tantivy Mucker-Maffic” and would like to write a similar tune about the inebriated shenanigans committed by my best friend and I during college.
The bit about Oxford and Harvard not really existing to educate was a nice touch (p. 193)
“Snazzy” is an “Americanism” in the 40s! (p. 195).
Slothrop ponders an impending loss of innocence (but, again, it seems like that has already happened). He has nothing and no one in a foreign country and the sensation that his life is being purposefully, possibly nefariously influenced by forces he can vaguely perceive. “It’s here that saturation hits him, it’s all this playing games, too much of it, too many games: the nasal, obsessive voice of a croupier he can’t see...is suddenly speaking out of the Forbidden Wing directly to him, and about what Slothrop has been playing against the invisible House, perhaps after all for his soul, all day - terrified, he turns, turns out into the rain again where the electric lights of the Casino, in full holocaust, are glaring off the glazed cobbles.” And then, “How did this all turn against him so fast? His friends old and new, every last bit of paper and clothing connecting him to what he’s been, have just, fucking, vanished. How can he meet this with any kind of grace?” (p. 205)
The word “holocaust” is used quite a bit in this story
Setting this all in the casino is a nice touch: there is the illusion of chance and luck in a casino but the house always wins.
The juxtaposition of the comic (seltzer fight) with the tragic (Slothrop alone, trying to understand what’s happening) heightens both effects.
Episode 24 Summary They wake up with Katje calling slothrop a pig, which responds to by oinking. At breakfast, he is taking a refresher course in technical German and learning about The Rocket. His tutor, Sir Stephen Dodson-Truck (who speaks 33 languages!) aiding his understanding of German circuit schematics by way of ancient German runes. Slothrop understands immediately that Dodson-Truck is in on the plot but not sure how (“There are times when Slothrop can actually find a clutch mechanism between him and Their iron-cased engine far away up a power train whose shape and design he has to guess at, a clutch he can disengage, feeling then all his inertia of motion, his real helplessness… it is not exactly unpleasant, either. Odd thing. He is almost sure that whatever They want, it won’t mean risking his life, or even too much of his comfort. But he can’t fit any of it into a pattern, there’s no way to connect somebody like Dodson-Truck with somebody like Katje…. The real enemy’s somewhere back in that London anyways” (p. 207). Back in the Himmler-Spielsaal: “in the twisted gilt playing-room his secret motions clarify for him, some. The odds They played here belonged to the past, the past only. Their odds were never probabilities, but frequencies already observed. It’s the past that makes demands here. It whispers, and reaches after, and sneering disagreeably, gooses its victims. When they choose numbers, red, black, odd, even, what did They mean it? What Wheel did They set in motion? Back in a room, early in Slothrop’s life, a room forbidden to him now, is something very bad. Something was done to him and it may be that Katje knows what. Hasn’t he, in her “futureless look,” found some link to his own past, something that connects them closely as lovers?” (p. 208-209). “It is a curve each of them feels, unmistakably. It is the parabola.” No more news from London or Achtung. Bloat is gone now, too. Sir Stephen and Katje with their identical Corporate Smiles to dazzle him while they rob his identity. But! “He lets it happen” (p. 210). Slothrop is getting hardons after his rocket study sessions and then goes looking for relief with Katje. Sir Stephen appears to be timing these erections! So, Slothrop gets the smart idea to get him drunk via a drinking game and many, many people end up getting sloshed on some high class bubbly. Half the room is singing the “Vulgar Song”. Slothrop and Sir Steve get pretty hammered and start walking through a nice sunset, where Slothrop sees robed figures, hundreds of miles tall, on the horizon. Sir Stephen informs Slothrop that he’s got “potency issues” (which makes him the perfect observer for Slothrop’s sexual misadventures… “no nasty jissom getting all over their reports, you know” (p. 216)). He’s about to tell Slothrop the secret of “The Penis He Thought Was His Own”... ...but then starts waxing nostalgic about Sir Stephen’s son and his wife, Nora and her “Ideology of the Zero”. An interlude with Eventyr, Sachsa, Leni… “but where will Leni be now? Either we didn’t mean to lose her - either it was an ellipsis in our care, in what some of us even swear is our love, or someone has taken her, deliberately, for reasons being kept secret, and Sachsa’s death is part of it too” (p. 218). More on Sachsa’s death. Then, Sir Stephen vanishes (“but not before telling Slothrop that his erections of high interest to Fitzmaurice House”). Katje is pissed that Slothy got Sir Steve drunk enough to dish on the plot. They fight and then fuck. More rocket study sessions. The rocket taking off looks like a peacock, def pfau. Slothrop pressing for more information, Katje rebuffing, warning/advising“Oh, Slothrop… You don’t want me. What they’re after may, but you don’t. No more than A4 wants London. But I don’t think they know...about other selves...yours or the Rocket’s. No more than you do. If you can’t understand it now, at least remember. That’s all I can do for you” (p. 224). Then, “They go back up to her room again: cock, cunt, the Monday rain at the windows” (p. 224) (Oh, Tom, you romantic!). And finally, a bit of kazoo music, a final night together, and Katje disappears, too. Commentary
Slothrop makes an important connection to his childhood and wonders if Katje knows about it/whether she’s with him because of it (ol’ Pynch even manages to work in the rocket, too!): “You were in London while they were coming down. I was in ‘s Gravenhage while they were going up. Between you and me is not only a rocket trajectory but also a life. You will come to understand that between the two points, in the five minutes, it lives an entire life. You haven’t even learned the data on our side of the flight profile, the visible or trackable. Beyond them there’s so much more, so much none of us know” (p. 209).
More on the import of setting the action in the Casino: “The Forbidden Wing. Oh, the hand of a terrible croupier is that touch on the sleeves of his dreams: all his life of what has looked free or random, is discovered to’ve been under some Control, all the time, the same as a fixed roulette wheel-where only destinations are important, attention is to long-term statistics, not individuals: and where the House does, of course, keep turning a profit…” (p. 209).
A beautiful passage: “‘Holy shit.” This is the kind of sunset you hardly see any more, a 19th-century wilderness sunset...this anachronism in primal red, in yellow purer than can be found anywhere today, a purity begging to be polluted...of course Empire took its way westward, what other way was there but into those virgin sunsets to penetrate and to foul” (p. 214). Always dualities in this book.
“A pornography of blueprints” (p. 224). is a nice turn of phrase.
Foreshadowing: “She has her hair combed high today in a pompadour, her fair eyebrows, plucked to wings, darkened, eyes rimmed in black, only the outboard few lashes missed and left blond.
Connection to Nabokov: I really do think “Signs and Symbols” influenced this novel. Lines like this, “Here it is again, that identical-looking Other World - is he gonna have this to worry about, now? What th’ - lookit these trees - each long frond hanging, stuny, dizzying, in laborious dry point against the sky, each so perfectly placed…” (p. 225) remind me so much of the atmosphere in the story (itself about paranoia (“referential mania”)). This is a key excerpt from the Nabokov ditty: “In these very rare cases the patient imagines that everything happening around him is a veiled reference to his personality and existence. He excludes real people from the conspiracy - because he considers himself to be so much more intelligent than other men. Phenomenal nature shadows him wherever he goes. Clouds in the staring sky transmit to one another, by means of slow signs, incredibly detailed information regarding him. His inmost thoughts are discussed at nightfall, in manual alphabet, by darkly gesticulating trees. Pebbles or stains or sun flecks form patterns representing in some awful way messages which he must intercept. Everything is a cipher and of everything he is the theme.” Obviously this guy is, uh, slightly more clinical, but I still think the atmosphere/tone is similar between the two.
Episode 25 Summary We begin this episode with a Pavlov lecture about the physiological symptoms of hysteria and one of Pointsman’s poems (which he never shows to anyone). Then to the “White Visitation” chaps (Pointsman, Grunton, Throwster, Groast) rumor-mongering about their future. Things are looking bleak. Pudding might cut off funding, “Slothrop’s knocked out Dodson-Truck and the girl in one day” (p. 227), and Sir Steven’s got the P.M.’s son-in-law making embarrassing inquiries. But Pointsman is calm. Very calm. In fact, “[b]y facing squarely the extinction of his program, he has gained a great bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of individual men. Oh, and women too, of course, bless their empty little heads. But survival depends on having strong enough desires - on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman activities - they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter” (p. 230). And then we find out that Pointman’s figured out how to play Pudding to keep his support (more on that in a bit…) as he’s figured out Treacle, Groast, and Throwster, how to use them and manipulate them to get what he wants. What a fucking devious guy! Webley Silvernail sticks around after the meeting and imagines the lab animals putting on a beguine performance of a song called “Pavlovia” (right after this realization by Silvernail: “From overhead, from a German camera-angle, it occurs to Webley Silvernail, this lab here is also a maze...but who watches from above, who notes their reponses?” (p. 229)). And it’s all song and dance for a bit but since it’s Pynchon, it’s followed by an incredible poignant/tragic moment of clarity: “They have had their moment of freedom. Webley has only been a guest start. Now it’s back to the cages and the rationalized forms of death-death in the service of the one species cursed with the knowledge that it will die…. “I would set you free, if I knew how. But it isn’t free out here. All the animals, the plants, the minerals, even other kinds of men, are being broken and reassembled every day, to preserve an elite few, who are the loudest to theorize on freedom, but the least free of all. I can’t even give you hope that it will be different someday - that They’ll come out, and forget death, and lose Their technology’s elaborate terror, and stop using every other form of life without mercy to keep what haunts men down to a tolerable level - and be like you instead, simply here, simply alive….” The guest star retires down the corridors” (p. 230). What a soliloquy. [Tangent: almost 50 years later, how prescient is this passage?! This little monologue filled me with so many conflicting emotions: hope (because humans like Pynchon exist to dream this stuff up) and also dread because this paragraph describes a fundamental aspect and egregious flaw (or flaws) in human nature. Reading and re-reading this passage depresses me a little (hence my question about mental health below). Now Pudding is sneaking about the bowels of “The White Visitation”. He heads past the cells of loonies on his way to a secret rendezvous. It seems like Pointsman may have drugged him at some point to get at hidden desires. We watch as our dear old Brigadier putters from room-to-room, finding items left for him by Pointsman that mock him and describe his descent into a personal hell (for info on the symbolism, the Weisenburger book is quite helpful). In the final room, Pudding drops to his knees at the feet of his Domina Nocturna (with “her blond hair...tucked and pinned beneath a thick black wig”... “naked except for a long sable cape and black boots with court heels” (p. 233)). Pudding is thinking of the night they first met. He saw “her” “...through the periscope, underneath a star shell that hung in the sky, he saw her….and though he was hidden, she saw Pudding. Her face was pale, she was dressed all in black, she stood in No-man’s Land, the machine guns raked their patterns all around her, but she needed no protection. “They knew you, Mistress. They were your own. And so were you” (p. 233). And then he offers her a “nice” memory of a legion of Franco’s troops killing and getting killed at a massacre at Badajoz for which he is “rewarded” with her beating and then pissing and shitting in his mouth… … … … However off-putting this may be for some (most), it does something for Pudding. He needs pain. “They have stuffed paper illusions and military euphemisms between him and this truth, this rare decency, this moment at her scrupulous feet….no it’s not guilt here, not so much as amazement - that he could have listened to so many years of ministers, scientists, doctors each with his specialized lies to tell, when she was here all the time, sure in her ownership of his failing body, his true body: undisguised by uniform, uncluttered by drugs to keep from him her communiqués of vertigo, nausea and pain. Above all, pain. The clearest poetry, the endearment of greatest worth…” (p. 234-235). Munching down on a hot turd makes Pudding think of the horrible smells of his service during WWI: putrid mud, rot, death, “...the sovereign smell of their first meeting, and her emblem” (p. 235). After eating her shit, he jerks off (his release), in a style that Domina Nocturna has learned from watching Captain Blicero and Gottfriend (at this point, it is safe to say, Domina Nocturna is Katje. Will we ever be able to look at her the same?). Pudding is then dismissed to “...a late-night cup of broth, routine papers to sign, a dose of penicillin that Pointsman has ordered him to take, to combat the effects of E. Coli” (p. 236). So thoughtful, that Pointsman... Commentary
The Silvernail hallucination/phantasmagoria seems like something straight out of “The Big Lebowski” had Jodorowsky had a bit of influence over the Coen Bros. art direction. Many of the songs in this section feel “Lebowski-esque” but this one especially so to me. Maybe its the detailed choreographic notes: “They dance in flowing skeins. The rats and mice form circles, curl their tails in and out to make chrysanthemum and sunburst patterns, eventually all form into the shape of a single giant mouse, at whole eye Silvernail poses with a smile” (p. 230).
The Franco bit is a nice way of linking facism and death worship
Pudding eating Domina Nocturna’s shit really, to quote an earlier passage, gave “de wrinkles in mah brain a process!”. There is so much symbolism there! Instead of ascending to heaven, Pudding heads down to hell. We have so many dualities linked in the act: between young and old, sacred and profane, pleasure and pain, pleasure through pain, WWI and WW2, man and woman, life and death, the general as a slave, even the food transformed through Katje into waste, all linked through the act of eating shit. For a moment they are linked so intimately, so delicately. No parabolas, a circle. And, of course, there’s also the diabolical Pointsman in the background, pulling the strings and manipulating to keep Pudding in line. I remember reading this for the first time and just being shocked and confused and now reading it again and finding so much meaning. That ol’ Pynchon is a devious bastard, hiding such loaded symbolism in such an obscene encounter. The Pulitzer committee had no idea what was coming for them!
So, if you’ve reached this point, congratulations and I am sorry! Here are my discussion questions. Looking forward to future posts! Discussion Questions Both On Topic and Tangential
Why is paranoia described as a “Puritan reflex” in Episode 22?
In Episode 23, as Slothrop peruses Katje’s extensive wardrobe, what is the significance of the line, “Aha! wait a minute, the operational scent in here is carbon tet, Jackson, and this wardrobe here’s mostly props” (p. 195)?
In Episode 24, what’s the significance of “the watchmen of world’s edge”? Is this an intrusion of the spirit world? Is Slothrop just hallucinating?
In Episode 24, when Peter Sachsa gets the blow to the temple from Schutzmann Jöche, why is his last thought, “How beautiful!” (p. 220)
In Episode 25, there’s a line in the part where Pudding is sneaking around: “A voice from some cell too distant for us to locate intones:...” (p. 231). Why us here? Why the change in perspective?
How’s this book affecting everyone’s mental health (you know, given that we’re in the end times right now)? Seriously, though, there are times when this book makes me so happy to be alive and proud of humanity and also times where it depresses the everloving shit out of me and makes me think that, as a species, we’re doomed to continue making the same mistakes, over and over again, until we end up destroying ourselves.
In a similar vein, do you think people as prodigiously talented and brilliant as Pynchon have any responsibility to counter the evil they see in the world? Is writing books enough or should they do more (lead, teach, etc.) to fight against the awful things they are able to see before the rest of us do?
I (20F) feel intimidated by how much life experience my boyfriend (30F) has.
Sorry if there are any grammar mistakes, English is my second language. I started dating this guy at the end of last year, so many would say it’s a fairly new relationship, but for me, it’s my first serious one (plus I was a virgin before him). We hit it off really well despite the age difference, and I’ve never felt like this with anyone else. It feels like we’ve known each other for years, and I feel extremely comfortable with him, like I can really be myself. I’m aware that a relationship with this big an age gap can develop an unhealthy power imbalance, and I’ve kept my eyes opened for any signs of red flags, but haven’t found any. He’s genuinely the sweetest and treats me like I mean the world to him. But something has been making me feel kind of intimidated, uneasy even. I can say that I grew up fairly sheltered, and don’t have a lot of “interesting” life experiences. I was mostly a bookworm with very few friends my whole life. Meanwhile, my boyfriend has been involved with so many different kinds of people, romantically and not. He has done so many interesting things, visited so many places, done things that I’ve only seen on tv, has made so many memories… (examples: gambled in casinos, gone in road trips across the country with his friends, done unusual things in bed with so many different people). He likes telling me about these things when the subject comes up, it’s not like he’s bragging at all, I even ask him about his experiences as well, but every time he tells me about how he’s done so much interesting stuff even by the time he was my age, I start to feel like I’ve had such a… boring life? That I’m not as interesting as he is? And that he’s had so many partners before, while for me, he’s my first one, so it might not be so special for him anymore. I feel small, like I’ve been wasting my life somehow, if I’ve never had such interesting experiences. This may sound silly, but I feel so boring compared to him sometimes. I feel kinda jealous tbh. I’ve said this to him once (not the jealous part tho), and what he told me was that I didn’t waste my life, that I did the right thing by getting an education and not doing drugs, and that I’m way ahead and smarter than he was when he was 20, and that those experiences aren’t that special or fun anyways. I can’t help but feel like he’s only saying that to make me feel better about it. Yea, I get that what I did was the responsible thing, but I feel like I could have done more memorable things to remember, if I wasn’t so sheltered. I get that it’s not a big deal but I’ve never felt like this before, and I think that maybe if I were with someone not so experienced or within my age range, I wouldn’t feel like this… maybe? Am I right to think like this? I’m not considering breaking up with him, I love him but I’m wondering how and if I can stop feeling like this. TL;DR: My bf has way, way more life experience than me and has done so many interesting things, and I can’t help but be envious and feel like I’ve lived such a boring life. Is this healthy? How can I stop feeling like this?
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This casino is called Slotastic for a good reason. It features a solid collection of RealTime Gaming slots with versatile themes, ranging from ancient civilizations and mythology to magical creatures and Vegas lifestyle. Branded slots like Ritchie Valens La Bamba, The Big Bopper, and The Three Stooges are also included. Slotastic organizes its slot collection on the basis of reel number, features, and jackpot. The 6-reel titles are a must-try including games like Super 6 and Lucky 6. Some of the slots from RealTime Gaming’s Real Series have randomly triggered local jackpots that can drop on any spin regardless of the amount staked. Some of the most appealing slots from this category include Aladdin’s Wishes, Achilles, Ancient Gods, Cleopatra’s Gold, Fire Dragon, Naughty or Nice, and Ghost Ship. Hairway to Heaven, Naughty or Nice Spring Break, and Polar Explorer have the so-called “Feature Guarantee”. This ensures players will trigger a bonus feature within a designated number of spins. One example is the slot Aztec’s Treasure where the feature meter is set at 150 spins. Players who choose this slot can have the confidence they will trigger a bonus feature at least once every 150 rounds. The Win-Win feature some slots are equipped with is equally rewarding but in a different way. It gets activated at the end of a round of free spins if you have generated profits smaller than 8x your triggering bet. You need to play all paylines to benefit from the Win-Win feature, though. Some of the Win-Win slots include Loch Ness Loot, The Three Stooges, and Triple Twister. Slotastic caters to fans of classic slots with several 3-reel titles like Double Ya Luck, Sevens and Stripes, Scuba Fishing, Santastic, and Jumping Beans. Other slot titles that appealed to us include Cai Hong, Bubble Bubble and its sequel, Enchanted Garden II, Eternal Love, Gods of Nature, and I, Zombie.
Table Games
Slotastic is home to a standard suite of table games that features around 18 variants of roulette, blackjack, and casino poker. Baccarat and craps are also available. Fans of the Devil’s wheel have a choice from American and European Roulette where the bets range between $1 and $50. Blackjack buffs enjoy a greater versatility, having a choice from the standard version of the game, Perfect Pairs, European Blackjack (this is a no-hole-card game), Face Up 21 (RealTime Gaming’s take on Double Exposure), Pontoon, Super 21, Suit ‘Em Up Blackjack, and Match Play 21. Several variations of casino poker are also available. You can play against the virtual dealers in a game of Vegas Three Card Rummy, Tri Card Poker, Pai Gow Poker, Caribbean Hold’em (which is pretty much the casino version of Texas Hold’em but with an exotic name), and Caribbean Stud. The baccarat and craps games can be found in the Specialties section.
Progressive Jackpot Games
We counted roughly 75 games with local progressive jackpots. This means the prizes are pooled from bets made on the Slotastic platform only. Respectively, you cannot expect gargantuan pots from these games – their prizes typically escalate to four-figure amounts only. Some of the most popular slots with local pots include Small Fortune, Jumping Beans, Rudolph’s Revenge, Samba Sunset, Secret Symbol, Penguin Power, Paydirt, Mermaid Queen, and Mister Money. You have a more limited choice if massive pots are what you are after. The casino features several slots linked to a wide-area progressive network, with prizes accumulating across all RealTime Gaming-powered websites. The pots in Aztec’s Millions and Megasaur are symbol-driven whereas the prize in Spirit of the Inca drops whenever it reaches its boiling point. The jackpot of Aztec’s Millions is way overdue since it has not dropped since 2009. The table games Caribbean Stud and Caribbean Hold’em are also linked to progressive networks.
Video Poker
Fans of video poker are catered to with 14 distinct variations of their favorite game including Loose Deuces, Aces & Eights, All American Poker, Bonus Deuces Wild, Bonus Poker, Bonus Poker Deluxe, Deuces Wild, Double Bonus Poker, Double Jackpot Poker, Jacks or Better, Joker Poker, and Sevens Wild. Each of the above-listed games is available in the multiple-hand format, with players having a choice from 1, 3, 10, or 52 hands at a time. Just keep in mind each hand you play requires an individual bet. For example, if you are playing five credits of $0.50 per hand in the 52-hand variant of Jacks or Better, you are practically wagering $130 per round. >>Get Exclusive Free Bonuses Here<<
Slotastic Licensing and Regulations
Slotastic has not published any information in regard to licensing, ownership, and regulations on its official website, which only works to its detriment. In our opinion, it is common courtesy to inform one’s customers who they are gambling with and under what license. There are no details on who audits the games for fairness and what their theoretical return is. We hope to see higher levels of transparency from Slotastic in the future. After a little digging on the web, it was established Slotastic allegedly operates under the licensing and regulations of the British Virgin Islands. Customers’ funds and personal information are protected with SSL encryptions. Slotastic also embraces responsible gambling. Players can self-exclude, take a temporary break from gambling, or set limits on their deposits. The casino does not allow for real-money play from the UK and New Jersey.
Slotastic Customer Support
Slotastic players who need help are facing several avenues of communication with the casino’s support staff. The easiest and quickest way to contact them is via the live chat. The chat facility is staffed at all times of day and night, which is certainly beneficial for the casino’s vast multi-national player base. The downside is that when all human agents are busy servicing other customers, you may end up chatting with the “friendly” Chat Bot. The latter is pretty much useless since it provides you with a link to the FAQ section most of the times. You are automatically connected with a real human being as soon as an agent is available, though. The support staff makes an overall good impression with their professionalism and friendliness. You can also drop Slotastic’s support a few lines via email at [email protected]. Support is provided over the telephone as well. The number you need to dial is +1 866 890 6738.
Conclusion
Slotastic has both its downsides and advantages. The biggest positive here is that the casino welcomes play from a huge number of jurisdictions including the United States. Another benefit is that the website is jam-packed with bonuses and promotional incentives. If you are looking for generous offers, this is the place to drop by. We also liked the website’s design. All categories are easy to spot and the games load quickly both on desktop and mobile. The biggest con here is the absence of regulatory information. As we said earlier, we hope to see this fixed in the future in the interest of transparency. It would have been great if the casino supported more payment options as well. The gaming library itself is definitely not the most diverse one, with only 150 games in the casino’s flash version. Despite its downsides, Slotastic will appeal to RealTime Gaming fans from the US who insist on fast withdrawals and lots of bonuses. >>Get Exclusive Free Bonuses Here<<
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Hunky Bingo Casino Review
Hunky Bingo is a cheesy but fun looking site that is marketed at women and anyone else who shares a love for the male form. There’s a sort of jock guy vibe to the site, which features cartoon muscled hunks who are almost certainly named Chad. If you’ve ever used the words ‘swole’ or ‘bae’ unironically, this site speaks your language. It’s funny that there don’t appear to be any bingo sites celebrating the female form in all its topless glory. For whatever reason, Hunky Bingo’s female players would rather while away their evenings playing the Hunky scratch card game that calls for matching three gorgeous hunks to win. If you can get with that plus copious references to bulging jackpots then don’t delay. Join Samantha, your host, who’s eager to show you around the site. Her friends call her Sam by the way, so you can probably take the liberty of following suit. It’s doubtful that Sam will be offended – she’ll be far to preoccupied with checking out the site’s many hunks.
About Hunky Bingo Casino
Hunky Bingo is operated by Cassava Enterprises. The company are based in Gibraltar and are licensed by the government of Gibraltar to offer gaming services. Their UK services are operated by 888 UK Limited, who are licensed by the Great Britain Gambling Commission. Within the EU, Virtual Digital Services Ltd perform the same role. All of the site’s games have been independently audited to ensure that they provide fair play and honest payouts. As is the case with a few Cassava Enterprises sites, there’s a separate company that owns the Hunky Bingo brand. They’re called Tau Marketing Services Limited and are based in London. If you need to get hold of a member of the site’s customer support team, Hunky Bingo provide instant chat if you’re logged into the site. There’s also email and a freephone UK number that’s in operation from 9am to 1am seven days a week. >>Grab Free Spins Bonuses Here<<
Hunky Bingo Banking
There’s not a proper banking page on Hunky Bingo which is unfortunate. This means that deposit methods can only be gleaned from the FAQ, and purely because it provides information on withdrawals – there’s nothing about deposits. For the record, you can deposit and withdraw funds using credit or debit card, MasterCard, cheque, Neteller, wire transfer or PayPal. Withdrawal requests take 48 hours to be processed. After that there’s a wait of 2-3 days for funds to show up on MasterCard. Other cards will take 4-7 days. When the funds appear on your statement, they will be discreetly billed under a business name that doesn’t mention gambling.
Hunky Chunky Bonuses
Deposit £10 and you’ll be given £80 to play with. That’s the welcome bonus: deposit a tenner and Hunky Bingo will throw in £70 of bonus cash on top. This works out as a £40 bingo bonus, £10 games bonus and £20 worth of tickets to the Grab a Grand room. Invite a friend to sign up and you’ll get £10 when they make their first deposit. When you make a deposit at the site you’ll also unlock the Hunky bingo scratchcard. Scratch it off and if you’ve matched three hunks, you’ve won a prize. Of the juiced up jackpots of which the site is so proud, there’s a £10,000 pot on the tenth of every month, a sure win of £2,000 on the 15th and a £1,000,000 bingo jackpot every Saturday. When you join, there’s also free bingo to be played in the Hunky Freebie room. Games are named Freebie, Hunky VIPs and Hunky Virgins. It’s hard to imagine a similarly themed bingo site dedicated to the opposite sex being quite so brazen with its names. >>Grab Free Spins Bonuses Here<<
Bingo Offerings
To find out what bingo games are away to start on the site, simply look to the tab on the right of the page. These have such names as Chatterbox, Late Night, Sunny ‘90s, Roller Coaster and Quids In. The latter game is free, while tickets for other games range between 1p and £1. There’s a countdown timer until each game starts and the value of its prize pot is also displayed. If you’re interested in free bingo, rooms include Freemium and the aforementioned Hunky Virgins, which is a 90-ball game that commences hourly with a £5 jackpot. Of the big jackpot rooms, tickets are 50p for Grab a Grand and £1 for Sure Win, hosted on the 15th of every month and with a £2,000 jackpot. The monthly games might be where the big money is, but the chat games are also extremely popular. That’s thanks to the sociable element that these games provide via the live chat window where players can interact. When you’ve tired of bingo, you can always roam the site looking for hunks to ogle. This appears to be fair game, given that Sam goes to great pains to stress the hunkiness off all of the fellas who appear on the site. She hand picked them don’t you know.
Select Your Slots
Hunky Bingo is packing an excellent selection of slots, over 300 games in all. There’s so much here in fact that if you alight here first upon signing up, you might never make it to the bingo. The 3D slots look great, including such impressive games as Esqueleto Explosivo and Fairytale Legends Red Riding Hood. The branded games are also awesome, whether you’re playing Guns N’ Roses, Michael Jackson King of Pop or Monopoly Big Event. While there’s more to a good slot than impressive graphics or famous protagonists, they certainly serve to elevate the gaming experience. There are a lot of cute and fluffy games too though that are super pink and super sweet and there are loads of fruit-based slots as well. Other popular slots that must be tried are Gonzo’s Quest and Once Upon a Dime. There’s a search bar provided, which you’re gonna need if you’re to locate your favourite slots without having to scroll for days. >>Grab Free Spins Bonuses Here<<
Hunky Bingo Conclusion
Hunky Bingo is an excellent bingo site and casino. You’ll almost certainly need to be female in order to appreciate the site, and even then there are many women who will likely demur at the sight of the hunk-heavy design. If you can see past its corniness though you’ll find a fun and eclectic site where there’s all sorts of games to be played all around the clock. There’s really no major complaints that can be levelled against Hunky Bingo. The free bingo rooms and the chat bingo games are among many highlights; the welcome bonus is particularly good. It’s got enough elements to it to give players the perfect introduction to the site. The slots are every bit as good if not even better than the bingo games. 300 games is a lot of slots for any site to offer, let alone one whose primary purpose is bingo. The branded games are particularly strong, as are the other NetEnt games that are featured. It’s a shame there aren’t a few scratch cards or table games, but other than that Hunky Bingo acquits itself well.
Best run in terms of anything Stanley Kubrick: Lolita, 2001: A Space Odyssey, Spartacus, and Dr. Strangelove. Robert Wise: The Sound of Music, West Side Story, The Sand Pebbles, The Haunting, Two for the Seesaw, and Star!. Jean Luc Godard: Breathless, Contempt, My Life to Live, Two or Three Things I Know About Her, Pierrot le Fou, Bande à part, A Woman Is a Woman, Le petit soldat, The Carabineers, A Married Woman, Alphaville, Made in U.S.A, Masculin Féminin, La Chinoise, Weekend, One Plus One, Joy of Learning, A Film Like Any Other, and British Sounds. David Lean: Lawrence of Arabia and Doctor Zhivago Francois Truffaut: Stolen Kisses, Antoine and Colette, Shoot the Piano Player, Jules and Jim, The Soft Skin, Fahrenheit 451, The Bride Wore Black, and Mississippi Mermaid. Alfred Hitchcock: Psycho, The Birds, Topaz, Marnie, and Torn Curtain. Billy Wilder: The Apartment, Irma la Douce, The Fortune Cookie, One, Two, Three, and Kiss Me, Stupid. Federico Fellini: 8 1/2, La Dolce Vita, Juliet of the Spirits, Satyricon, Spirits of the Dead, and Boccaccio '70. Ingmar Bergman: Persona, Shame, Hour of the Wolf, The Passion of Anna, The Rite, All These Women, The Silence, Through a Glass Darkly, Winter Light, The Devil's Eye, and The Virgin Spring. Mike Nichols: The Graduate Teach me!, and Who's Afraid of Virginia Woolf?. Sidney Lumet: The Fugitive Kind, The Appointment, The Hill, The Deadly Affair, Fail Safe, Bye Bye Braverman, The Group, A View from the Bridge, The Pawnbroker, and Long Day's Journey into Night. Luchino Visconti: Rocco and His Brothers, The Damned, The Leopard, Sandra, and The Stranger. George Roy Hill: Butch Cassidy and the Sundance Kid, Thoroughly Modern Millie, Hawaii, The World of Henry Orient, Period of Adjustment, and Toys in the Attic . Roman Polanski: Knife in the Water, Repulsion, Rosemary's Baby, The World's Most Beautiful Swindlers, and Cul-de-sac. John Huston: The Unforgiven, The Misfits, The Night of the Iguana, The List of Adrian Messenger, The Bible: In the Beginning..., Freud, Reflections in a Golden Eye, A Walk with Love and Death, Casino Royale, and Sinful Davey. Sergio Leone: The Dollars Trilogy, Once Upon a Time in the West, and The Colossus of Rhodes. Michelangelo Antonioni: Blowup, L'Avventura, L'Eclisse, La Notte, and Red Desert. John Ford: How the West Was Won, The Man Who Shot Liberty Valance, Sergeant Rutledge, 7 Women, Cheyenne Autumn, Two Rode Together, and Donovan's Reef. Akira Kurosawa: Yojimbo, Red Beard, Sanjuro, The Bad Sleep Well, and High and Low. John Frankenheimer: Birdman of Alcatraz, The Manchurian Candidate, The Train, Seven Days in May, Seconds, Grand Prix, All Fall Down, The Fixer, The Young Savages, The Gypsy Moths, and The Extraordinary Seaman. Vittorio De Sica: Yesterday, Today and Tomorrow, Woman Times Seven, Marriage Italian Style, After the Fox, Un monde nouveau, Il giudizio universale, The Condemned of Altona, and Two Women. Blake Edwards: Breakfast at Tiffany's, Days of Wine and Roses, The Party, The Great Race, A Shot in the Dark, High Time, Soldier in the Rain, Experiment in Terror, and The Pink Panther. John Sturges: The Great Escape, The Magnificent Seven, Ice Station Zebra, Marooned, Hour of the Gun, A Girl Named Tamiko, By Love Possessed, and Sergeants 3. Stanley Kramer: Guess Who's Coming to Dinner, It's a Mad, Mad, Mad, Mad World, Ship of Fools, Inherit the Wind, Judgment at Nuremberg, and The Secret of Santa Vittoria. Robert Aldrich: What Ever Happened to Baby Jane?, Hush...Hush, Sweet Charlotte, The Flight of the Phoenix, The Dirty Dozen, The Killing of Sister George, The Last Sunset, 4 for Texas, and Sodom and Gomorrah. Mario Bava: The Girl Who Knew Too Much, Black Sunday, Kill, Baby, Kill, Hercules in the Haunted World, Knives of the, Erik the Conqueror Avenger, Danger: Diabolik, Black Sabbath, Blood and Black Lace, and Planet of the Vampires. Elia Kazan: Wild River, The Arrangement, America America, and Splendor in the Grass. Samuel Fuller: Shock Corridor, The Naked Kiss, Shark!, Underworld U.S.A., and Merrill's Marauders. Robert Bresson: Au hasard Balthazar, Mouchette, The Trial of Joan of Arc, and A Gentle Woman. Andrei Tarkovsky: Andrei Rublev and Ivan's Childhood. Sam Peckinpah: The Wild Bunch, Major Dundee, The Deadly Companions, and Ride the High Country. Yasujirō Ozu: Late Autumn, The End of Summer, and An Autumn Afternoon. Robert Altman: Countdown and That Cold Day in the Park. Francis Ford Coppola: Tonight for Sure, The Bellboy and the Playgirls, Dementia 13, You're a Big Boy Now, Finian's Rainbow, and The Rain People. Jean-Pierre Melville: Léon Morin, Priest, Army of Shadows, Le Samouraï, Magnet of Doom, Le Doulos, and Le deuxième Luis Buñuel: The Milky Way, Belle de Jour, Simon of the Desert, Diary of a Chambermaid, The Young One, The Exterminating Angel, and Viridiana. John Cassavetes : Faces, A Child Is Waiting, and Too Late Blues. Roberto Rossellini: The Taking of Power by Louis XIV, Uno sguardo dal ponte, Escape by Night, Garibaldi, Les Carabiniers, Vanina Vanini, Les Carabiniers, Anima nera, and Benito Mussolini. Pier Paolo Pasolini: Mamma Roma, The Gospel According to St. Matthew, Accattone, The Hawks and the Sparrows, Pigsty, Theorem, Oedipus Rex, and Medea. Howard Hawks: Man's Favorite Sport?, Red Line 7000, El Dodrado, and Hatari!. John Schlesinger: Darling, Midnight Cowboy, Far from the Madding Crowd, A Kind of Loving, and Billy Liar. Martin Ritt: Hud, Paris Blues, Hemingway's Adventures of a Young Man, The Spy Who Came In from the Cold, The Outrage, Hombre, Five Branded Women, and The Brotherhood. Jack Clayton: The Innocents, The Pumpkin Eater, and Our Mother's House. Robert Mulligan: The Rat Race, The Great Impostor, The Spiral Road, To Kill a Mockingbird, Love with the Proper Stranger, Inside Daisy Clover, Baby the Rain Must Fall, Up the Down Staircase, and The Stalking Moon. Satyajit Ray: Nyak, Two, Teen Kanya, Kanchenjungha, Devi, Rabindranath Tagore, Abhijan, Mahanagar, Aranyer Din Ratri, Chiriyakhana, Goopy Gyne Bagha Byne, Charulata, and Mahapurush. Tony Richardson: Tom Jones, The Entertainer, A Subject of Scandal and Concern, A Taste of Honey, Sanctuary, Hamlet, Red and Blue, Laughter in the Dark, The Loved One, The Loneliness of the Long Distance Runner, Mademoiselle, The Sailor from Gibraltar, The Charge of the Light Brigade, and Laughter in the Dark. Bryan Forbes: Séance on a Wet Afternoon,Whistle Down the Wind, King Rat,The L-Shaped Room, Deadfall, The Wrong Box, The Whisperers, and The Madwoman of Chaillot. Richard Brooks: Elmer Gantry, In Cold Blood, The Happy Ending, Sweet Bird of Youth, Lord Jim, and The Professionals. Claude Chabrol: Les Biches, The Unfaithful Wife, The Champagne Murders, Les Bonnes Femmes, Wise Guys, The Third Lover, Landru, Ophélia, Le Tigre aime la chair fraiche, Marie-Chantal contre le docteur Kha, Our Agent Tiger, The Road to Corinth, and This Man Must Die. Mario Monicelli: The Passionate Thief, Casanova 70, Caprice Italian Style, The Girl with the Pistol, Organizer, L'armata Brancaleone, High Infidelity, and Sex Quartet. Norman Jewison: In the Heat of the Night, The Thomas Crown Affair, The Cincinnati Kid, The Russians Are Coming, the Russians Are Coming, Gaily, Gaily, 40 Pounds of Trouble, The Thrill of It All, Send Me No Flowers, and The Art of Love. Gillo Pontecorvo: The Battle of Algiers, Burn!, and Paras. Ken Russell: Song of Summer, French Dressing, Women in Love, and Billion Dollar Brain Ken Loach: Kes and Poor Cow. Costa-Gavras: Z, Shock Troops, and The Sleeping Car Murders Jacques Demy: The Umbrellas of Cherbourg, The Young Girls of Rochefort, Lola, Bay of Angels, and Model Shop. Carol Reed: Oliver!, The Running Man, and The Agony and the Ecstasy. Fred Zinnemann: A Man for All Seasons, The Sundowners, and Behold a Pale Horse. Arthur Penn: The Chase, Alice's Restaurant, Bonnie and Clyde, The Miracle Worker, and Mickey One. Agnes Varda: Cléo de 5 à 7, Le Bonheur, Lions from love, Les Créatures, and Loin du Vietnam. Masaki Kobayashi: Harakiri, Samurai Rebellion, The Inheritance, A Soldier's Prayer, Hymn to a Tired Man, and Kwaidan. Otto Preminger: Advise & Consent, Exodus, The Cardinal, Bunny Lake Is Missing, In Harm's Way, Skidoo, and Hurry Sundown. Stanley Donen: Charade, Two for the Road, The Grass Is Greener, Surprise Package, and Once More, with Feeling!. Nicholas Ray: The Savage Innocents, 55 Days at Peking, and King of Kings. Luis García Berlanga: Long Live the Bride and Groom, Three Fables of Love, The Executioner, Plácido, and La boutique. Walerian Borowczyk: Mr. and Mrs. Kabal's Theatre, Renaissance, and Goto, Island of Love. Karel Reisz: Isadora, Saturday Night and Sunday Morning, Night Must Fall, and Morgan – A Suitable Case for Treatment. Joseph Losey: Eva, The Criminal, The Damned, King and Country, The Servant, Boom!, Accident, Secret Ceremony, and Modesty Blaise. Mark Robson: Daddy's Gone A-Hunting, Von Ryan's Express, The Prize, Valley of the Dolls, The Inspector, Nine Hours to Rama, Lost Command, and From the Terrace. Richard Fleischer: Che!, Fantastic Voyage, The Big Gamble, Barabbas, The Boston Strangler, Doctor Dolittle, and Crack in the Mirror, Vincente Minnelli: Four Horsemen of the Apocalypse, The Courtship of Eddie's Father, Two Weeks in Another Town, The Sandpiper, Home from the Hill, Bells Are Ringing, and Goodbye Charlie. Louis Malle: Zazie dans le Métro, Spirits of the Dead, Viva Maria!, A Very Curious Girl, The Fire Within, The Thief of Paris, and A Very Private Affair. Alain Resnais: Last Year at Marienbad, Muriel, The War Is Over, and Je t'aime, je t'aime. Eric Rohmer: Le Signe du Lion, My Night at Maud's, La Collectionneuse, The Bakery Girl of Monceau, and Suzanne's Career. Milos Forman: Loves of a Blonde, The Firemen's Ball, and Black Peter. George Sidney: Pepe, Bye Bye Birdie, Half a Sixpence, Viva Las Vegas, A Ticklish Affair, and The Swinger.
Chapter 9 Grimhowl Catacombs Melody started to laugh at her own words to Shiva. "You're a ice-elf?" "Yes, I was joined your team for the journey of the 12 orbs!" She asked. “Wow! That’s awesome!” Melody said. “Yeah, I know…” Shiva replied.
Specter says "Okay, guys gather around!" The Specter Clan gathers around the meeting table of the ship. Roger says "Well, what we gonna do about it? Specter says "We already got the 7 orbs and now there 5 left before the solar system lined each other. For now we're heading to Darkcrow Hometown. Grimhowl for the Spirit Orb." "For the Spirit Orb?" Roger asks. "The Spirit Orb is required to open the Sealed Gates at The Dark Orb." Specter replies. Melody said "Hey, Darkcrow is your place is haunted with ghosts?" "Yes, it is. My Hometown, Grimhowl is the most haunted place on the Lairon Region" "Don't you think it would be a better idea if we stayed near a city?" Victor asks. Darkcrow replies "No, there is no place to stay near the city, That's my kingdom policy!" "Why would you do that? "It's not me, It's the king who made the policy!" He replied. "Ah, Okay then." Melody replies Roger says "So what's the plan?" "We stay at my headquarters and then make a sweep to capture orbs then head to the next orb." Darkcrow said. Specter says "Ok, that is a great plan. Now, does everyone ready?" Everyone nods. "Then let's go capture the Spirit Orbs!"
The Specter Clan arrive at Grimhowl! Grimhowl Hometown of Darkcrow and it's the most haunted places on the Lairon Region... Well at least in the non-magical world. Grim indeed, the entire landscape is full of caved in houses and other buildings along with the scary looking villagers. It's a little creepy in some places.
Specter says "Well, This is the place you send me in the trials after I stole the Grass Orb? Remember that shit, Darkcrow?" "Oh yeah, you're right." Darkcrow replies. "Let's do this!" Darkcrow yelled. The Clan starts heading towards the entrance of the village.
The guards said "Halt! No one is allowed to ent- Sir Darkcrow! I glad you here!" "What's wrong?" Darkcrow asks. "The villagers, they're acting strange!" The Guards "How do you mean?" Darkcrow replied. "They just standing there and not saying anything! I've never seen this before..." They replied.
Specter says "So, what they all gonna do here? Defeat that strange villagers?
Darkcrow replied "No, but in Grimhowl. We and the people fight the Beasts!" "What?!?" He yelled. Darkcrow shouted "BRING OUT THE WARRIORS!" The peasants came out from their homes and helped another one in armor. "What the...?" Roger asks. "That's Warface you should probably called him Warcry for some reason. Darkcrow announce his name. Warface shouted and raise his weapons "FOR THE GRIMHOWL GLORY!" Warface have the appearance of a giant skeleton with scraps of leather on it, but it's not just that, It's also wear a helmet with horns, a dark red color and had some sort of tribal symbols on it The strange villager reveals as a possesed demon! He launch a giant strike with his giant sword and the Warface attack with a roar! "FOR THE DOME!" He also shout while attacking. The rest villagers explained as Demons too! The possesed demon villager said "DIE! DIE! YOU ALL ROT IN HELL!" The peasants attacked by the demons were just Clansmen and just normal villagers too, they didn't have any magical powers, but seems like fighting several demons without much training isn't the best thing on your mind! Warface finish the possesed demon with the blows with the swords! "The Demon is Dead!" Warface and the Peasants shouted and go back to their normal state! The peasants were exhausted, some of them was dead and more of them were wounded. Darkcrow looks at them and just laughs. Warface saw Darkcrow and said "Haha! Look who's back in this Village!" Warface said "Heh, Hey Warcry!" Darkcrow replied. "So what's the plan?" Warface asked. Darkcrow said "We're here to get the Spirit Orb at the Grimhowl Catacombs" "Sounds like a plan" Warface replied.
Specter says "So... Darkcrow, Have you met this guy before?" "Yes, in fact he was my defendant before all this happened!" Warface replied. "Really?" Specter asked. "Defendant? Aren't these are defenders are we talking about?" Melody said. "Defender? I've never known you to take so long for a break! Hah! It took you that long to think up a new name!" Warface laughed. Specter says "Darkcrow, Aren't you a defenders before we met? I thought you're a prosecutor! "Never know when to shut up!" Warface said. "What the heck is going on?" Specter asked. "It's a long story..." Darkcrow responded.
---flashback--- It was a few years ago, in a village far away from here. My father and mother got divorce and my mother got sick and died, My father he died somehow... I heard he got killed by some bandit or something, who knows. I was left alone in the world with few money and no one to take me in. But then, A knight just taken me to his kingdom and teach me how to be a cool knight like him... The next day he took me to his real king and as a reward he been given land, money and honor! You know how it goes. At his moments, He is one who the member of the 6 elemental orbs knights... And he'll do anything to protect the orb... I think that's why we're here... Anyway, his name is Jayden "Darkcrow" Grimhowl. After he defeated Axelegore, He leaves the town and left the Spirit Orb from the Grimhowl Catacomb and off to the Dark Orb from Death Island and sealed with his Magi, to kept the Dark Orb safe as it go! But years passed... He never came back... At least not for me... nobody knew where he went. His men said they would look for him, But he would be very difficult to find. At my age of 21, The King of Grimhowl called me "Darkcrow II" to be one of his general. I was happy to serve a kingdom that could fulfill my mother's last wish, To see me as a real warrior! But I’m bored with my life on Grimhowl. I became a defense attorney, where I met Warcry as my clients... He thought that he murder Sir Griffinhound, The 2nd General Guard of my Kingdom. But it seems that Griffinhound was killed by someone else. I can't believe that Warcry did it. He found guilty and he got sentence to death, and I failed him, So I re-signed myself as a Defender Knight and I turn into a Prosecutor Knight. Later on... He still a friend of me... He only visit me when it Night-Time... As years pass by, but he a kind one... He didn't mind and he treat me like a real friend as a Spirit friend... As years pass again... I started prosecute my country against the crime they done. I always win every time and proof this kingdom is our pride! Weeks, Months, Years... I been restrict my country to make crime and transform my kingdom into my prison. Suddenly, Specter Blackwing. He come from no where! I knew I have to stop him, he ruined my perfect life as a prosecutor! But he really gave me hope, He tried to make friends with me, while him and me going on adventure and I met so many friends and a lots of journey we can possibly do! Sometimes we argue, but we always make up after that. So Specter... I'm coming to free you from my prison. Because, you are a good friend in Grimhowl just like my client Warcry... A spark of hope from my strict freedom from this cursed kingdom. He saved my life from depression, anxiety and he make me happy in this journey of the 12 orbs and I have fun with him so much as I could ever breathe the fresh air of hopes and freedom from my strict kingdom of Grimhowl... And, that's how the story of my life in the kingdom of Grimhowl and the story of me and Specter Blackwing... ---end of flashback--- Darkcrow got the impression this is some kind of fairy tale, but it's actually his entire life. Melody said "Poor, Darkcrow..." "He deserve a better fate than this..." Lily added. Darkcrow said "Well, what are we waiting for? Let's get this over with..."
Specter says "I agreed with Darkcrow, Let's head to the Graveyard! Warcry, have you ever been to the Catacombs before?" "Nope, never been there either. So I'm interested in where this is going!" He replied Warcry said "Also there some rumors that if someone enter the Catacombs..."
"THEY'RE NEVER COME BACK!" Darkcrow finished. Lily said "Oh no! What if we caught in a dead end and can't escape!? Darkcrow said "Only a true heroes can enter and exit to the Catacombs... But once you enter there, They are showing your biggest fears..." "Sounds dreary!" Specter said. Warcry pondered "But if you're a great hero, shouldn't you be able to handle your fears?" "Yeah, I guess so..." He replied
Specter says "Well, It's time to us to enter Catacombs... Are we guys ready?" The Teams both nod including Warcry! "Let's do it!" Specter shouted. Specter and his teams headed to the Graveyard and saw the giant temple on the center of the Graveyard and all Suddenly, the dead are rising! "What the....." Warcry said as he noticed all the zombie-like corpses slowly getting up and standing. Warcry said "You care of the rest, I'll take down those zombie first! Go!" Warcry took out his sword and started slashing through the slow moving zombie-like corpses. It isn't long before he's surrounded by them and then... They all stop.... Then they all fall down again....
Specter and his Teams arrived at the Grimhowl Catacombs... The sign said "DO NOT ENTER! ENTER YOUR OWN RISK!" but Specter didn't care, He went straight towards the big iron doors that where wide open..."Huh? This isn't the entrance..." He thought as he entered. You entered next... The mysterious void coming out of nowhere! Splitting Specter and his team into one! Warp! First up Specter! Specter found Lurk is alive...
Specter says "Lurk?" "Lurk?" Specter asked confused. "Here...." Lurk said in a dying condition.
Warp! Second is Darkcrow! Darkcrow is on a Electric Chair with Sir. Griffinhound and his mentor Jayden Grimhowl. "Huh? What the hell is this?" Darkcrow asked. "I don't like your attitude!" Replica Jayden growls at him. "You been found something a infamous crime in our kingdom." Replica Griffinhound said. Darkcrow said "NO! WAIT! I'm okay! I can fix this...." "Too late!" He pull the lever and shock Darkcrow in his electric chair. "NO!!" Darkcrow shouted while he going to die but It just a illusion.... Warp! Third is Roger! He flashback the R-5 robots attacking Specter and his Team... Then died... "Huh? What?....AGH!" Roger shouted in pain. Then, He fell on the ground and saw Darkcrow coming towards him with sword. "WAIT! NO! IT ME ROGER!" Roger shouted to Darkcrow. Roger then, he scrapped into metal... It just a illusion... Warp! Fourth is Melody! She with a Replica Specter in the cave and she said "What is this, did I got back at the cave?" Replica Specter grab his daggers and try to kill her... "NO! WAIT!" Melody afraid to the Replica Specter. Later, He fall down the cave and died... "SPECTER!!!" Melody shouted! It just a illusion... Warp! Fifth is Lily... She found Gizmo... But it's just an illusion, Gizmo died long time ago... "Huh? What the?" Lily said in confusion Replica Specter appears "Your nothing as a team like me... BETRAYER!" She reveal the tattoo that she one of Dark Mechanicus..."NO! WAIT! I'm on your side! Please!" Lily apologies... Replica Specter replies "Too late! You're not one of us now!" He started to summon his Scythe... "I'm sorry..." She started to cry... He sliced her in half... It just a illusion... Warp! Six is Victor. He on the roulette table where he doing to bets his life for 1 billion bucks on the Casino against The Black Dragon! “Oh no, why am I doing in the Casino… and why Dragon is here!?” Victor said. "Oh, I'm Sorry Victor... You lose..." The voice says. "Victor, Your Souls is Mine!" Dragon appears. Dragon shoot him with his crew... "AaAaAaAaAaaa!" Victor screams in pain. It's just a illusion! Warp! Last is Shiva! She was a Elf Village and saw her village burnt to death and Specter teams and the Sizzling Sisters appears behind her... Sizzlerella said "Aw... Look at this Villager watching her Village burnt down! What do we do, Sizzlea?" Sizzlea replies "We should interrogate it, perhaps it has some information about our enemies!" They both approach and begin to hit her with the hot pokers... "Aaaa!" It's just a illusion! Warp! Back on Specter!
Specter says "Lurk, How did you?" "I'm innocent! When did I set you up?" "You know what I'm asking... I had to lie to save your life and I'm just trying to understand why you did what you did. Lurk said "Sorry, but this is for your own good!" "NO! It's our good, the best! We're a team! WE ALWAYS WORKING TOGETHER! Lurk shoot Specter head and warp him with another fears on Specter!
Specter is on Underwater!
Specter tried to swim through the surface but his Magi tried to drag him into the deep! It's poor visibility! You can't see anything but just by sense of touch and hear your feet steps. The water is cold, you can feel it...
Warp! Another fears of Specter... Replica Lily on her Succubus Forms and Replica Melody on her Mermaid Forms are trying to seduce him... "Why you SO VIRGIN! Why don't you take me my dark beauty?" Lily commands... "I'm sorry... but I just can't do this..." Specter replies in fear. Replica Melody shouted "NO TAKE MY VIRGIN! SPECTER! SHE A DEMONIC FREAK!" Melody songs are very powerful that it warping the mind! He get dizzy, particularly when they start to sing "My waves to you are peaceful, but your screams will be heard..."
Specter says "I can't do this... My fears is too powerful..." "I can't just give up!" His head trying to think fast... "I'm sorry..." He replied. Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! It one of his shadow said "Aren't you gonna give up?" "Never!" He replied... Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! Warp! "Aren't you afraid of losing your Girlfriend, your Friends and your life?" "I can't let them die, I can't let her die! I can't die!" Specter replies...
Finally the final warp, His biggest fears of them all. They reveal that Replica Dragon kissed Replica Melody in front of Specter... "NO! NO! NO! NO!" He screams... "YOU GET AWAY FROM MY GIRLFRIEND, YOU FUCKING FREAK!" he shouted. He started to shatter his illusion on his Magi! His Shadow said "IMPOSSIBLE! THERE IS NO WAY PEOPLE CAN SURVIVE THE ETERNAL WARP OF FEARS, BUT THAT ROGUE HE SHOW HIS EMOTIONS TO HIS LOVED ONE!" His other fears shatter! He looked like he was going into shock. It's just a illusion...
Specter says "It's all just a illusion... Specter! Keep going! KEEP MOVING! GO BEYOND!"
Specter is moving forward to his fears, Shatter from Shatter the illusions of his fears. He shows his strong emotion at his friends and his beloved girlfriend including his mysterious parents... "Ahhh!" He shouts! Specter finally freed his fears. He overcome what he really did in the infinite fear void and finally enter a black room. His opponent was his Fears himself... His fear represent the Shadow version of him... He was sitting on a throne, he head shadowed by a hood, the face hidden... That was all just an illusion. "Welcome to your nightmare Specter..."
Specter says "It's over, I conquer your fears with my strong emotion!"
"No! You cannot defeat me, I am your fears personified!" "Don't you know that it takes more than fear to conquer fear?" "I AM YOUR FEARS!!
Specter charge to him with his Scythe from his Magi-Ability!
It was just too much, with this bravery, he charged to his opponent and throw his scythe at it. But It was all an illusion! Shadow Specter copy his attack and moves! It was just another illusion! "Now that's more like it!" the Shadow-Specter said and moves away, avoiding your attack.
Specter charge up once more!
He charge up once more, but Shadow-Specter move and around his attack! "Enough with the charge tactics, I'm not some dumb bull." The Shadow-Specter said. “But I had some brains for you!” Shadow Specter laugh Shadow Specter copy from the previous attack from Specter! His Shadow-Self charge up, and then throw is scythe with impact! It smash through your defenses and it stabbed you through the chest. The blunt pierce of the scythe smashed through your heart. Specter spits out his blood! "You don't know fear? Well learn it!" The Shadow-Specter shouts, as it move in to finish you... Specter counter him and Shadow counter him back! He use his Magi-Ability to regenerate his body from the attack! He pulls the scythe out of his chest and throw it at his opponent, who copy again and move away.
Specter says "I'm not done with you!" "And I'm not done with you Specter, this isn't over!" Shadow Specter raise his hand and grab his scythes! "Oh yeah? Well if you're not going to let me finish, try to stop me then!" He charge towards you! "Come on!" He shouts. He charge up his aura, and create a shadow fog around himself Shadow Specter said "You fool! As long you use more of your Hades Magi. Your body will drain all of your life force! I have already finished regenerating from direct attack! Now I will finish you off myself!” Specter says "Oh, I don't think so..." He thrust his scythe right into your stomach, and twist it, ripping open your stomach. He quickly pull out the scythe and throw it against the wall!
And Specter said "Go to Hell!" Specter released his charge and he started to change his form into a Grim Reaper of his own... His body is now a Skeleton with a hair. And his scarf is a black cloth and his hoodie is has a small ripped… And his teeth are also a darker shade of gray... And his scythes become more sharper instead... And his eyes become more demonic red...
Specter says "YOUR A DEAD MAN, SHADOW SPECTER..." Although he still have life, but he sure feel the pain. His guts are a bloody mess and your organs are crushed.
Shadow Specter said "So that is the true power of the Hades Magi-User!" He raise up his scythes once more, now a truly demonic sight. The scythes now have a redish glow to them. "Now you will truly know fear, before your death!" Shadow Specter attacks him rapidly but he immune it! Shadow Specter gives a small smile at that remark. And Specter said. "I will tear out your SOUL APPART!!!!" As he charge his signature moves and dash through Shadow Specter and said!
Specter says "HADES REQUIEM! THE SLICE OF ULTIMATE DESPAIR!" He rushes ahead and swing! He hackles Shadow left arm off! "AAAH!" Shadow Specter started screaming! The pain is great! "And now the right!" Specter finished him with a evil smile in his Wrath and finally defeated him in a 1v1 combat! "Goodbye, Shadow Specter" He swings his blades once more! The sharpened blades go through his skull, destroying it instantly.
He release a dark smokes coming out from him and drop the Spirit Orb. The battle of him and his fears are over... Specter shows bravery to his fears with his Grim Reaper form and finally return to his normal self... He let's out a sigh of relief and falls to the ground, looking up at the orb. "Ack... I feel drained... I lost half of my power in the last few minutes..." He started to fainted due to the battles with his fears... His teams finally escape the eternal voids and Warcry found Specter fainted on the ground! They carry him and grab the Spirit Orb and take him to the nearest Inn... End of Chapter 9 You have reached to Chapter 9
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